DragonMike

You might give it a shot and see if anything changes. You could also try to get some of your friends to take the class with you.

The only shirts that I wear in public are pretty subtle. They have a small logo for the style on the left chest, but they don't scream "I'm a Black Belt."

I agree with bushido man. you can develop a technique enough to cause enough damage to kill, but it is not based on ki or other mystical causes.

I stay within my normal "routine." I try not to vary things up too much. I seem to have better results if I stick to the same patern that got me there.

I think ultimately we need balence in our lives. This means balence in our training (striking, grappling, strength flexibility) and in our lives (Training vs. job/family). If you focus too much on one the others will suffer.

I think children do have a place in martial arts. I started when I was 9, and it changed my life. I think that speration is good to a degree, but there is benefit to adults and kids training together. The adults can be an example for the kids, and the kids can ask questions that adults would never think of.

I train barefoot, but when I teach self defense I always have people keep their shoes on.

Thanks for the feedback. I'm glad you guys liked it!

This post was originally published as an article in a dedicated KarateForums.com Articles section, which is no longer online. After the section was closed, this article was most to the most appropriate forum in our community. Today there seems to be a plethora of martial art studios in every major city across the United States. They offer multiple styles ranging from Tae Kwon Do to Aikido to Karate and everything in between. Of course, this creates competition between the dojos for students. Does this competition benefit or hurt the practice of martial arts today? Competition is what drives the American economy. It gives us innovations and inexpensive reliable products. In many ways it helps the martial arts as well. Contemporary Hollywood movies popularized the study of martial arts. Many young kids were inspired to take the martial arts when they saw Daniel Larusso crane kick Johnny at the end of The Karate Kid. Karate dojos opened up en mass to fill the demand for Japanese martial arts. As Steven Segal rose to popularity, Aikido schools grew in number to satiate our desire to “flip and throw people with little effort.” After the beginning of the Ultimate Fighting Championships, Royce Gracie proved martial arts everywhere needed to concentrate on their groundwork, as well, so Brazilian Ju Jitsu schools became common place. The abundance of schools allow people to find training in the art that compliments their desires and abilities. However, there are also negatives to competition for students. Several schools now promise that a student will earn the rank of black belt in a set number of years, usually two or three. This cheapens the value of the rank. It might be possible for some students to legitimately earn a black belt in that amount of time if they are naturally athletic and dedicate themselves to training. But, by guaranteeing someone will reach that rank in two or three years, schools are not honoring the journey that is required to become a black belt. People naturally progress through ranks at their own pace. Some will get stuck at green belt because they are having difficulty with the reverse spin kick. Others will stall in the beginning since they do not have the confidence to put their best effort on the floor when they train. As someone goes through the requirements for a black belt, they have to face these issues and others. During this time a martial artist learns what it means to be a black belt in their style and for themselves. When schools put an arbitrary time table on this journey they are reducing the impact that it has for a martial artist. Also, as schools compete for students, many times they will make the training easier then it was in the years past. Today many Americans are put off by the thought of the hard work, patience and perseverance that the martial arts require. When my regional instructor began training in Tang Soo Do in the early 1960’s, his instructor who emigrated from Korea had all of his students who were past white belt break bricks on all of their tests. He would also require his black belts to fight for a half hour non stop as part of their training. Push ups, sit ups and other calisthenics were the norm for all of the classes. My instructor would always find new ways of training the black belts, such as having us fight on a balance beam. It took many people, including myself, a long time to reach the level of proficiency required to attain our next rank, but when we did, we truly felt that we had achieved something remarkable. As instructors make their training less demanding, they might entice new students, but they are denying them the experience of what martial art training is supposed to be. Bruce Lee, Jean-Claude Van Damme and Jet Li have all inspired generations of people to seek the benefits that martial arts training can provide. This demand has given many people the opportunity to open schools in various styles of martial arts. This has given martial arts an unprecedented place in the public conscience. Due to this, martial artists must go out of their way to safeguard the image that is portrayed. I encourage all instructors not to guarantee black belts in a certain time period of training. Let your students grow for themselves. Their abilities and attitudes will tell you when they are ready to be considered for black belt. I also encourage you not to make your training too easy. There is tremendous benefit in hard work. It may cost you a few students, but the students you do retain will be much better off for it. By taking these measures, we can do our part to safe guard our traditions and teachings for ourselves and the next generation of martial artists to follow.

I've leg pressed 405 lbs. 5 times.

It does sound like it could be a little bit of a mental block. Do you do any training with focus pads? This would be a great way to work on the ditance aspect of your punching. If you are afraid of getting hit, counter attacking will make your opponant less willing to attack you.

I agree. If its only about how well you can fight then why do we call people martial artists not fighters?

I hate, "can you beat up so and so."

pizza with all the meats. I can't resist it.

5 just seemed like a total money grab to me.

Yup, go with the box set. You should be able to find a great price if you look.

The catch about those that I've italicized is that they have nothing to do with improving your fighting skill. To me, a true martial artist is someone who is refined in the area of fighting and bases their approach to it based on experience and logic- being a nice guy or helping others makes you a nice guy- it doesnt make you a martial artist. I firmly believe that if you dont like those who are arrogant or have a bullying personality, learn how to fight better than they do. I would respectfully disagree. I think being a good person is absolutely essential to being a true martial artist. Otherwise you are just a good fighter, but not a martial artst. I think ot all goes back to the philosophical roots of the arts. the term martial in itself dictates war. a martial art is an art of war, nothing more. What happens is people become caught up in the nostalgic view what a martial artist should and shouldn't be. the shaolin temple combined there arts with philosophical, spiritual and other aspects, because they were monks.... those are things inherent to them. However, those teachings made their ways into arts they influenced in other countries as well. the japanese did the same - the samurai incoporated such into their teachings. But many of the samurai also engaged in homosexual activity... that is among things that aren't known, because it doesn't fit into that over romanticized view. martial arts that pre-dated shaolin were about nothign other than learning how to fight. An excellent example of this is shuai chiao. In modern ages, MA that are not based on offshoots of anything shaolin influenced will not include these things either. boxing, wrestling - it's NOT becuase they are sports - they are very martial arts. Notice, you don't hear / learn about it in european arts, european sword arts included, AFAIK. krav maga would be another example. That's not to say that bettering oneself spiritually and learning more philosophically are not good things - they are. However, you can partake in a religion for spirituality and read about philosophy. They are not prerequisites for a martial artist. It is true that martial means war, but you can still be an honorable person if you defend yourself or your family. What if a great fighter started many fights on the street in order to proove to his friends that he was tough. Would he beconsidered a great martial artist? The term art implies that there is something beyond martial in the styles that we study. There is something about martial art that raises it beyond typical sports. This is what makes martial arts unique. I think we are talking about the difference in sport/art. Some people practice MA for the sport aspect. Some people practice them for the artistic aspect, and some for both. Any of theese approaches are fine. The diverse possibility of MA are one of the things that make them great.

The catch about those that I've italicized is that they have nothing to do with improving your fighting skill. To me, a true martial artist is someone who is refined in the area of fighting and bases their approach to it based on experience and logic- being a nice guy or helping others makes you a nice guy- it doesnt make you a martial artist. I firmly believe that if you dont like those who are arrogant or have a bullying personality, learn how to fight better than they do. I would respectfully disagree. I think being a good person is absolutely essential to being a true martial artist. Otherwise you are just a good fighter, but not a martial artst. I think ot all goes back to the philosophical roots of the arts.

I was hoping his career deteriated into alley street fights...oh wait... Seriously, I wish this weren't being made. It looks aweful and it tarnishes his image-like Jerry Rice's last seasons.

Thats awesome. I have to go see it. I really hope it comes out on HD DVD eventually.

I really don't like the students who don't want to be there. I'd take 10 that are having diffuculty and trying hard over 1 that doesn't want to be there, It makes me feel very disrespected as an instructor. I would talk to him or his parents about it.

Great post. I couldn't have somed it up better myself.

It could also attract new students to the arts. Peiople might say I want to kick that hard. And, having "science" exaiming the arts could give them credibility to people who think its all mystic mumbo jumbo.

I tend to learn in what I persit=eve are plateaus as well. I progress very quickly then plateau for a while, I look at it two ways. First, if I am maintaining then my body is having a chance to develope muscle memory at that level. Second, by sticking with it, and pushing through, I develop mental toughness, it isn't a complete plateau. Keep training-you'll push through.

I enjoyed it, but you do have to take it with a grain of salt. I think they tried to get people with body types that are stereotypical of the arts they represent. But, you can't say that one fighter makes for concret evidence, but it is good for conversation.