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sensei8

KarateForums.com Senseis
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Everything posted by sensei8

  1. She's seen one to many movies! Yes, she warns against this move, unless it's life/death, but, wow, legal issue are ignored. Again, I don't see this as an effective solution/technique because the attacker is so compliant in the demo. How do we know the blow on the back of the hand will even work for every attacker? How do we know that the finger manipulation will even work for every attacker? How do we know if the attacker will react at each movement? How do we know that the attacker is going to stay down and/or stay in place long enough for 'me' to apply/execute the open the neck/neck break? In this next paragraph, remember, I'm playing the attacker. Smack me on the back of my hand, if I'm the attacker, it's on like donkey kong, or I'm laughing at you. Twist my fingers, if I'm the attacker, and 'your' grip isn't firm, it's on like donkey kong, or I'm still laughing at you. Let go of my hand, if I'm the attacker, then I'm getting up while creating distance while I go to plan 'B' or something, as I'm still laughing at you. Twist my neck, if I'm the attacker, and the only thing you do is adjust my neck like a chiropractor, then, I'm going to thank you, and then it's on like donkey kong, or I'm going to be rolling on the floor laughing at you. Now, use sensible and effective techniques, then, I, as the attacker, am not going to be laughing, no, I'm going to be hurting. Thanks for the video cathal!
  2. Interesting posts and fair enough! The management team has always been in place, but now, minus the 'headmaster', but, what if, for example, the current 'headmaster' is incapacitated for one reason or another, and the current 'headmaster' can't/hasn't name(d) a successor for one reason or another? What's the management team suppose to do meanwhile?
  3. More than likely, if a martial artist breaks someones neck, a judge would throw the martial artist under the jail for quite awhile. Why? Because there are so many other non-fatal techniques availible to a martial artist. The I don't hit, but, it hits all by itself excuse won't impress any judge in any court of law. We, martial artists are suppose to be in control, but, breaking a neck is being way out of control, imho.
  4. Whether its the lead leg roundhouse or the back leg roundhouse, the one thing I've noticed is this. Why in the world aren't martial artists, including high Dan ranks, turning their supporting FOOT out a 180 degrees? I just don't understand it!
  5. Yes...Yes...and...YES!!!!!!! As in any training drill....I will get my turn and then...well...I get a turn too.
  6. Tuite training in Shindokan for our Yudansha's are known as "Air Miles" and this is due to the amount of throws/sweeps that Yudansha's are taught/trained in. The lower the Yudansha rank, the more Air Miles. Why? The higher the Yudansha is in rank, the more counters/reverses that are availible to them, therefore, the lower ranked Yudansha's are more apt to be thrown by the higher ranked Yudansha's. Knowing what is coming is not always a good thing. From many hours of practice, every Shindokan karateka knows that he/she is once again about to be on the receiving end of a very fast Tuite throw/sweep. Up, up, and away... No...these Air Miles can't be turned in for any rewards! How many here can relate to this and be a member of the Air Miles club?
  7. Attend the testing! I observe my students each and everyday, therefore, that's when mistakes are corrected...in class...not in testing. Student's aren't invited to testing if they're not ready, and this is determined through my daily observations of my students.
  8. Everyday...all day...all of the time! To do otherwise, would be irresponsible of me. Now, what the student decides to do after I've supplied the necessary info, well, then that's up to them. For me, I will do whatever is necessary to protect my family, my loved ones, and myself. After that, I just hope the judge will see it my way. My style, Shindokan, doesn't cover the Neck Break technique...boy...I feel cheated!
  9. How does one spell martial arts? P-R-A-C-T-I-C-E!
  10. I said old ways, not prehistoric. Back to the old ways for Shindokan, at this time, is to eliminate rank indentifiers. This has been done.
  11. Students reflect the Sensei; either, is good or, is bad! These child black belts reflect the good because Kanazawa Sensei is good. In that, every instructor and every student in SKIF is good. Kanazawa Sensei wouldn't have it any other way because it would reflect negatively on him. Imho, if you see students of the martial arts that look bad, then watch the Sensei, he/she probably looks just as bad. Does most, of if not all, of the blame go to the organization for allowing this in their student body? Yes, imho! The organization is suppose to be governing the entire style, including, how the style is represented by its student body, including their Sensei's. Simply stated...if the organization's bad, then the students are bad because the Sensei's are bad. Do I fault the students? No. Not if they don't know any better because this is how they were taught. To these students, they think that they're solid across the board, but, when in reality, they're not even close. IMHO!!!!
  12. I can't truly add anything to any of the other posts to your question because white owl, joesteph, and cathal have done an excellent job of heading you down the right path of "Balance". If I was to add something to this discussion, it would be this. STRETCH FIRST...THE ENTIRE BODY...NOT JUST PORTIONS!
  13. In your opinion, what's the key to any "deflection" as seen, for example, but not limited to, Aikido? Is there any one key to the success of any "deflection"? Imho, I believe that the one key is...Continued Directional Changes. In this, the opponent never knows if he/she is coming or going. Just when the opponent is directed to 'go' or 'move' this way, the opponent is jerked in the complete and opposite direction like a rag-doll, or a puppet. Could the one key be the feet? Could the one key be the hips? Could the one key be the body? Could the one key actually be in the totality, as one, of all three, as I've just noted...or more? I'm just wondering outloud. What do you think? Because, I'm wondering about the ONE KEY, and what that ONE KEY is!
  14. The cross training that I've done in JKD; sparring WAS done alot. By alot, I mean, ALOT. Lead leg work was done just as much as sparring was. As far as grappling was concerned, I didn't see much of that whenever I crossed trained with JKD practitioners. Whether that was set in stone or just the preference of those that I cross trained in JKD with, I truly don't have an answer for that, just an assumption at best because I never asked. I was getting alot of grappling in my style as well as with other grappling practitioners. So, it does sound strange but, stranger things have happened before.
  15. Can a style survive WITHOUT a Soke/Founder? I've place the word 'a' above in bold type because I'm not speaking of THE Soke/Founder. No, I'm speaking about the existence of that said title within the style's heirarchy. Could the following chain of command exist without any Soke type? *President *Vice-President *12 member Board Would this be sufficient? Or... *Soke/Dai-Soke/San Dai-Soke/or... *President *Vice-President *12 member Board Would this be more sufficient?
  16. Why does Karate place such a value on the Karate hierarchy of Sensei's, Sempai's, and Kohai's? Simple question enough...or is it?!? Everyone NEEDS someone to teach them! Everyone NEEDS someone to lead the journey! Eveyone NEEDS someone to mentor them! Everyone NEEDS someone to believe in them! Everyone NEEDS someone...no matter the reason(s)! That's as simple as I can put it. I'll await others a chance to answer the question before I comment any further.
  17. Even though, for the most part, we're all on the same page, imho. Again, our differing methodologies is what makes 'our style' exactly that...our style! Afterall, DWx asked this... Therefore, If I describe a "Strike" as a snap, my students/Shindokan practitoners UNDERSTAND my meaning because that's how a strike is to us Shindokanists...it snaps...like a towel or like a whip! If I describe a "Thrust" as something that penetrates, again, my students/Shindokan practitioners UNDERSTAND my meaning because that's how a thrust is to us Shindokanists...it penetrates, and by this, it travels way beyond the point of contact! Every waza in Shindokan at its core is taught to 'penetrate' beyond the point of contact. Every kick, for example, follows the methodology of Up, Out, Back, and Down, but, in a thrust kick, the 'Back' is ever so slightly paused as the hips finish the kick. Whereas, in a snap kick, the hips and and legs basically finish at the same time in the 'Back' portion of any snap kick in Shindokan.
  18. WASH THE DARN THING!!!!!! I'm not a clothes expert, but, aren't gi's of today, not all, but most, PRE-SHRUNK. In the old days, the first thing we had to do with our new gi's was to WASH it so that it'll shrink, but even then, the shrink wasn't much. Once the gi was washed, patches could be added. Add the patches before the first wash, well, the patch would bunch up pretty bad.
  19. Beginners! This little girl's wearing a white belt...
  20. I get a kick out of the drivers who go around me to get off at...the very next off-ramp instead of waiting 1 or 2 seconds. Also, I get a kick out of the drivers who pull up to a tractor-trailer inside a parking lot or something doing a delivery and the driver of the car wants the truck driver to back up. Most, if not all truck drivers won't back up for safety reasons. It's easier for the car to turn around than it is for a tractor-trailer. Honking is for safety, not inconvience. Maybe some drivers don't use their turn signals is because their particular car doesn't have any because they were options on their cars model for that year, if so, turn that car in for different car with signals that are included...but...these drivers are just to lazy to flick a switch up or down. Wow, that's so hard.
  21. Rank denotes a certain level of knowledge, granted, just as long as rank isn't more important than the knowledge achieved. A Shindokan karateka must have a certain rank first before one's even considered for any teaching title(s), but, it's then not the rank that decides the qualifications for the teaching titles. No, it's what the Shindokan practitioner has done while in that rank. What has the Shindokan practitioner done for the betterment of the martial arts before the betterment of themselves. Again, teaching titles are extremely difficult to achieve, therefore, teaching titles in Shindokan are rare. There's no test for teaching titles, like there is for rank! Shoot, time in grade allows acquisition of knowledge because if you're in something long enough and you're truly seeking earnestly/honestly, knowledge avails itself. I just want every karateka of Shindokan, to think of rank in its proper context and to stop thinking about rank as though it's only a stepping stone to higher rank. That vanity has no place in Shindokan! Shindokan wasn't founded for the sake of rank, but, for the sake of effective knowledge obtained within/without the rank. Removing every possible distraction, i.e. rank indentifiers, allows the Shindokan karateka to seek the doors of knowledge with a sincere heart, not a vain heart.
  22. I speak to the disruptor(s) one on one in my office, if it's a child, then I'll have the parent(s) present as well. Depending on the infraction, I'll give them one warning, after that one warning...suspension or dismissal. If the infraction is warranted, then immediate dismissal! Yes. That instructor was terminated immediately!
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