Wastelander

Welcome back, and thanks for sharing! It looks quite similar to some of my karate material.

Very cool! Thanks for sharing!

One of the requirements I have for my students going for black belt is to go learn a kata/form from some other style and learn or develop applications for it. I have taught kata to people from other styles on a number of occasions, as well. My only real caveat is that I would prefer them to be at least an intermediate level in their core style so they have a foundation to work with.

I'm not fond of the term "master," at all, because it's such a loaded term in martial arts. In other disciplines, "master" level means that you are an expert, certainly, but in martial arts, people seem to feel like "master" means you have learned all there is to learn and are as good as it is possible to be, and that just isn't the case. That's why I tend to only refer to people as masters of an art until they have reached a truly remarkable level of skill and understanding, and usually have trained up to 8th-10th Dan (legitimately), or passed away. That said, some people do reach a level like that at a much younger age and lower rank. Shimabukuro Eizo of Shobayashi-Ryu, for example, was the youngest person to be promoted to 10th Dan at the age of 34, and his peers at the time all agreed that was a legitimate ranking. My late Sensei was only a 5th Dan when he passed away at the age of 32, but most in the organization agreed he had the skill and understanding of a 7th or 8th Dan already, so if he wasn't already a master, he was well on his way. Kano Jigoro founded Judo at the age of 22, and many would consider him to have had a master's level of skill and understanding to do that.

Personally, I would treat it as an extra test, which is how my late Sensei and his Sensei treated promotions done while visiting the Shorinkan honbu dojo on Okinawa. Basically, if a student wants to test at a camp or while visiting another dojo, they can do that if they're eligible, but only AFTER they've been tested in my dojo first. I know that may sound a bit odd, but my late Sensei and his Sensei had higher standards than most in the organization, and I try to do the same, so a test with other instructors probably wouldn't cover everything that it should.

I'm also not a Shotokan practitioner, but I did get my start in a style that was largely based on Shotokan basics and I've done a fair bit of research on the development of karate. The practice of those sorts of basic drills (along with kumite) was taken from Kendo, where they use a stance very similar to a han-zenkutsu-dachi. When Shotokan co-opted those sorts of drills, they expanded the stance just as they did with all the stances in their kata, which they did do in order to emphasize leg strengthening in the absence of proper hojo undo.

I would clarify that a big reason for the discrepancies in kata curriculum in Shorin-Ryu is because Shorin-Ryu is a fairly generic name chosen to honor the Shaolin Temple, and the branches of Shorin-Ryu don't all share the same lineage. Of the 4 main branches of Shorin-Ryu, only one of them was a senior student of Itosu, and that's Chibana Chosin, who founded the Kobayashi branch. Kyan Chotoku, who founded Shobayashi, trained primarily with Matsumura Sokon and Matsumora Kosaku. Nagamine Shoshin, who founded Matsubayashi, trained primarily with Kyan and Motobu, which does put him in Itosu's lineage, but I wouldn't say he was a student of Itosu. Hohan Soken, who founded Matsumura Seito, supposedly trained with "Nabi" Matsumura, and then picked up some material from Chibana after the moved back to Okinawa, which also ties him to Itosu, but not directly. They all have some crossover with each other, but they all also trained with several other people, besides their primary instructors, so there is no singular line of Shorin-Ryu that can be traced back to a source, whereas all Goju-Ryu comes from Miyagi Chojun, and all Uechi-Ryu comes from Uechi Kanbun.

My first dojo only used the old dipped-foam sparring gear, which you haven't pictured. When I started training with my late Shorin-Ryu Sensei, he allowed many different kinds of sparring gear, so what people used largely depended on their preference and if they were competing or not. Folks who wanted to compete usually bought the dipped-foam gear, because that's what was allowed for most tournaments, but eventually the WKF became popular and a lot of them switched to that gear. Personally, I have been using MMA-style sparring gloves, which are a bit more padded than the competition gloves you have pictured, since 2010, and that is what I have my students buy. They provide enough padding to negate any need for headgear, which I prefer people not use because it increases brain damage, and still allows for all the grappling that we do.

Welcome to the forums!

The training camps I attended with my old organization were just as you describe--everyone trained the same style, but covered different subjects. Admittedly, many of the sessions were just running kata as a group and getting some basic corrections, or practicing the formal partner drills everyone already knew. When I've run events like it, in the past, though, I've been sure to invite instructors from many different styles, that way it's a more diverse experience. Yeah, in my experience there is usually anywhere from one to three "keynote presenters" at events like this. In the camps I went to with my old organization, they were always high-ranking instructors they flew in from Okinawa, sometimes including the head of the style. When I've run similar events, myself, I have always tried to get at least one high-profile instructor to join the line-up, but I haven't been able to afford to fly someone in from Okinawa, so they've always been domestic instructors. Sometimes, I wonder how much that actually matters to people. In my old organization, they made a HUGE deal out of training with the Okinawans, and I'm sure a lot of people really do see them as being inherently better karateka than westerners. Personally, there are more westerners that I think are incredible people to learn from. I imagine there is probably something similar in BJJ with instructors who are from Brazil, as opposed to other places? If it was a gasshuku, chances are high that there were other sessions going on, but if you were brought to help your instructor, it makes sense that you would have spent all of your time with him. You probably wouldn't have been given a program, either, if you were there as an assistant. It's definitely odd that they wouldn't announce the sessions as they went, though, so maybe it was just a seminar for your instructor and they called it a gasshuku? At the gasshuku I just attended, for example, everyone who paid in advance to attend got a program with the list of scheduled sessions, but people who paid at the door didn't get that packet, and they also announced which sessions were coming up next at the end of each session.

Welcome to the forums! Those definitely look like Shureido sai, to me. The big indicators for me are the flat moto, thick yoko, and plain round tsukagashira. There is always the possibility that they aren't Shureido, of course, since there are no markings to definitively confirm it, but they sure look like my late Sensei's sai.

For those unfamiliar, "gasshuku" or "training camps" are a pretty common practice in karate, where folks get together for multiple days (usually a weekend, but some last as long as a week) to train extensively with each other. Usually, there are many classes taught by various instructors covering multiple different subjects over the course of the camp. I'm sure this is done in other martial arts, as well, though I'm not sure how common it is. Personally, I find that these events can be a great experience, for a number of reasons, but they can also be disappointing, which is why I wanted to bring it up. Recently, I've been planning a Gasshuku for my organization that will be next summer, I've been invited to many that have been and are about to occur this summer, and I just attended one this past weekend, so the subject is at the forefront of my thoughts. These events are great opportunities to network and make new friends in the martial arts, because you obviously all know that you have at least one thing in common. You get to workout and cross arms with new people and it's a fun time. The question is--how much do you actually learn? Many of these events are just glorified kata workouts and kihon (basics) practice with big names in your style. It's a chance to get your picture taken with high ranking people and say you trained with them, but how much value are you actually getting? I'm curious, for those who have attended events like this, did you find the actual content of the events valuable? Did you really learn much? What were your favorite sessions or instructors, and what made them valuable to you? What could have been done better? If you haven't been to an event like this, what do you think would make you want to?

My first dojo had one of the Iron Arm tools, and it was nice, but definitely not worth the price. Since then, I've switched to the taketaba (bamboo bundle) and tetsutaba (iron bundle), which are cheap and easy to make, and work very well for solo conditioning. Personally, I found the taketaba to be too light for me, but it's a good introductory tool--simply buy a bunch of thin bamboo and bind them tightly together at one end with twine, and you're good to go. The only issue is that you'll have to periodically re-bind the twine, because it tends to work itself loose. Tetsutaba can be a little more involved to make, but I like them better. Get a short length of pipe and a cap (iron, copper, or PVC, doesn't really matter) to use as a handle, then buy a pack or two of surveying flags and some epoxy. Attach the cap to the pipe, fill it with epoxy, strip the flags so you have a bunch of steel wire and stuff them into the handle. You can put small rubber bands around the wire bundle and move them up and down to adjust the tension/firmness, which is really nice.

I've learned a little basic Japanese, in addition to the Japanese terminology used in karate, plus some Uchinaaguchi. I think it would be really cool to learn Uchinaaguchi and help preserve the language, but it's incredibly hard to find courses on it because Japan nearly killed it, and it would almost never be useful in day-to-day life. Japanese is much more widely used, but not where I live, so until I visit Okinawa, again, I wouldn't have much opportunity to use it. I do think that learning the language of your martial art does provide additional insights into the culture, though!

There are two exercises I use for that: 1. Find a railing or chair that is about as high as your hip, prop one foot on it, toes up, and practice pivoting on your supporting foot while twisting your "kicking" foot over to the side, then twist back. This isolates the foot pivot and hip rotation. 2. Chamber the kick and place it against a heavy bag, then push off the bag by pivoting and extending the kicking leg. This removes the impact component and puts your kicks under resistance.